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The Vesuvius Table

Interior of a painted and decorated octagonal work table.
A painted and decorated octagonal worktable, English, circa 1810, A la Ronde, Devon | © National Trust Images / Jaron James

Anyone who embarked on a ‘Grand Tour’ of Europe in the 18th and 19th centuries would expect to return with souvenirs and mementoes. They might use these to show friends and visitors, for display or to add to collections. Sometimes, as at A la Ronde, the souvenirs might be incorporated into furnishings, giving them a new life and providing a permanent reminder of travels.

One lovely item that we think was made by Jane or Mary Parminter is the ‘Vesuvius Table’ It’s likely that a local carpenter would have made the table, but left the top unmade for them to affix their souvenirs of the Grand Tour.

They inlaid it with minerals, shells, seals, mosaic-work brooches and a “memorial” enamelled miniature. Placed under the hinged lid are two cut-outs from gouaches showing Swiss peasants in costume and two pictures of volcanoes on fan papers. The smaller shows both Vesuvius in Italy and Cinere in Indonesia.

Detail of the interior of a painted and decorated octagonal work table at A la Ronde, Devon.
Detail of painted and decorated octagonal work table at A la Ronde, Devon. | © National Trust Images / Jaron James

Vesuvius in Italy was erupting throughout the years of the Parminter’s travels and there are descriptions from other women who ascended it – normally by donkey - of them “peering into the abyss” while dodging flying rocks and lava.

A popular souvenir often purchased to remember such a thrilling event were printed papers to fold and mount on two sticks to make pleated fans, then very fashionable. They were a way to demonstrate the extent and excitement of their travels, and in this case, to demonstrate their bravery.

Side-view of the painted Vesuvius Table at A la Ronde, Devon.
The Vesuvius Table at A la Ronde, Devon. | © National Trust / Jaron James

We know that Jane, Mary, Elizabeth and Louisa Comebrune were intrepid travellers. The collections at A la Ronde include items from Naples and villages around the base of Vesuvius it is quite possible that they also ascended the volcano confirming they travelled this far south in Italy.

The table is an example of the broader context of specimen collecting both on the Grand Tour and locally. It has also been suggested that it might be seen as a personal commemorative item for Elizabeth Parminter who died shortly after the group returned from their tour of Europe. A central enamel plaque Life shall triumph over death could suggest the possibility, however, there is no direct evidence for this.1

Detail of the memorial plaque on the Vesuvius Table at A la Ronde, Devon.
The enamel plaque on the Vesuvius Table at A la Ronde, Devon. | © National Trust / Jaron James

1. Gowrley, F. (2018) Craft(ing) Narratives: Specimens, Souvenirs, and “Morsels” in A la Ronde’s Specimen Table. PP 77–97 The Journal of Eighteenth-Century Fiction (Fall 2018), Material Fictions Part 1, ECF.

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Detail of the interior of a painted and decorated octagonal work table at A la Ronde, Devon.
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