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The Basilica of San Vitale: A la Ronde's Inspiration

Black and white image of the Basilica of San Vitale, Ravenna, on a postcard.
Basilica of San Vitale, Ravenna, Italy. A la Ronde, Devon. | © National Trust Images / Simon Harris

While on their Grand Tour, Mary and Jane Parminter found inspiration in various places. One place that particularly caught their attention was the Basilica of San Vitale, a 6th century church and important surviving example of Byzantine architecture. Its octagonal features are mirrored in A la Ronde and show the influence these travels had on the Parminters.

The period between the collapse of the Roman Empire and the dawn of the Renaissance has been labelled as the ‘Dark Ages’. It has been believed that nothing of note was achieved during this period - however, the early Christian monuments of Ravenna prove this to be incorrect.

Framed image of the Basilica of San Vitale, Ravenna.
The Basilica of San Vitale, Ravenna. A la Ronde, Devon. | © National Trust / Simon Harris

When comparing A la Ronde and San Vitale’s interiors, it is clear to see similarities in the layouts. Most notably, the central nave of San Vitale is an octagonal, double height space that features 8 rounded arched niches on each wall. This is very similar to the design of the octagon at A la Ronde.

A view of the Octagon at A la Ronde, Devon, from the Shell Gallery.
The Octagon viewed from above, A la Ronde, Devon. | © National Trust Images / David Garner

The octagon is surrounded by 8 rooms each connected to the rest through an ante-room. It is also a double height space that reaches up to the shell gallery. It is clear to see the parallels between the nave of San Vitale and the Octagon at A la Ronde.

Black and white image of the mosaic in the apse at the Basilica San Vitale, Ravenna.
The mosaic in the Apse at the Basilica of San Vitale. Fox Talbot Museum, Lacock, Wiltshire. | © National Trust Images / Rachel Topham

Another comparable feature is the mosaicked ceiling of San Vitale’s Sanctuary, and the Shell Gallery of A la Ronde. The mosaics of Ravenna are said to be among the best surviving examples of this form of art in Europe.

Detail of the Shell Gallery at A la Ronde, Devon
The Shell Gallery at A la Ronde, Devon. | © National Trust Images / Paul Harris

The Shell Gallery of A la Ronde is said to be an 18th Century rendition of these mosaics, due to the way the shells are positioned side by side in great numbers to create a singular creation.

The interior of the cabinet of curiosities in the Library at A la Ronde, Devon.
Exhibition
Exhibition

The Compendium 

The Compendium is a collection of stories to delight and surprise. You can explore all things A la Ronde here in one central place for the first time. We will be adding new stories for years to come.

Detail of the interior of a painted and decorated octagonal work table at A la Ronde, Devon.
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The Parminter Ladies' Grand Tour 

A traditional educational trip for wealthy young men in the 18th century, the Parminter ladies defied convention to set off on their Grand Tour in 1784.

Three 18th century wood and leather travelling trunks, pictured after receiving conservation.
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Article

The Travelling Trunks 

Find out more about the history and conservation of the Travelling Trunks at A la Ronde, thought to have been used by the Parminters on their Grand Tour.

The Shell Gallery at A la Ronde in Devon after conservation
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Article

Our Conservation Story: Conserving the past, creating the future 

Learn more about the conservation work undertaken at A la Ronde during the 'Conserving the Past, Creating the Future' project.